I would say my setting training was primarily made up of 3 styles - the setting DVDs by Blaine Lewis, the course I did with Tom Wellburn where traditional (graver-based) methods were taught and the course with Jura. There's lots of other influences - Sam Alfano's videos, every book I can get my hands on on the subject (incl. Wooding, which I'd describe as out-of-date) and kicking things around with other setters. By learning 3 or 4 ways to do rubover, for example, you've got a toolkit to tackle oddities.
Then quite a lot of practice
Bookmarks