Archive for March, 2012

Spring Trends 2012

Tuesday, March 20th, 2012

Joanna Varney gives her tips on the emerging trends this Spring. She holds a BA (Hons) in Jewellery and Silversmithing and is part of the Cooksongold team.

A few months back I wrote an article detailing trends to look out for in 2012. Now that spring has sprung and the first flowers of the year are blooming, its time to take a fresh look at the emerging trends and think about elements which could be incorporated into your designs.

First and foremost, let’s deal with colour. It gives an instant nod to current trends and lets be honest it’s the quickest way to freshen up a range. Hot oranges, corals and emerald greens have come through very strongly and are everywhere in fashion on the high street. (This is quite surprising as they are not easy colours to wear) Fortunately these particular colours translate perfectly into stones. Emerald, green agate, citrine, coral, cornelian and fire opal will all hit the mark with your trend conscious customers.  Pantone have actually chosen Tangerine Tango as the colour of 2012 so we will be seeing a lot more of it as the year progresses.

 

Monochrome as predicted is prevalent everywhere, but has become such a classic that I feel it is ever present. Thomas Sabos ‘Special Addition ‘ range is essentially monochrome and incorporates onyx, mother of pearl, freshwater pearls and obsidian which has been used facetted and matt. (Matt stones are slowly but surely increasing in popularity. They will never take the place of their polished counterparts, but none the less they are starting to become an edgy alternative) Obsidian is being used more and more in popular jewellery collections. I even noticed Tiffany using Snowflake Obsidian towards the end of 2011 and if Tiffany is using it you can be sure many others will follow!

Yet again wrist wear seems to be where much of the innovation is focused this year. The craze of the Shamballa bracelet is showing no signs of slowing down. In fact we seem to be reaching saturation point where most high street retailers will have a ‘version’ of this item now. As worn by the stars, the original versions consisted of a macramé bracelet, coupled with 18k balls pave set with diamonds and rubies.  Relatively simple in design, these bracelets are easily imitated and more affordable versions made of crystal and smooth hematite or steel beads are readily available in many stores.  Simple hematite or pave crystal studs and pendants will compliment these bracelets in an understated way again tapping into the trend in a subtle way.

In fact,subtle is a great description of earring styles this spring if the red carpet looks are anything to go by. Studs are back in a big way, but think of interesting and unusual motifs to jazz them up. Drop earrings are also small and classic. Gone are the oversized chandeliers of recent years. Ear charms are a relatively new and growing category as retailers try to emulate the customisation feel that charm bracelets can offer the customer.

The 20s theme is widely evident (influenced by film releases The Great Gatsby and The Artist) in the form of fringing, feathers and pearls. Pearls have been prominent for a few years now, but the ‘flapper’ style is bringing with it a resurgence of more classic designs. Head bands and hair jewellery in floral and Art Deco inspired motifs are again a direct result of this strong 20s revival.

These are by no means all of the Spring trends which are around at the moment, but I’ve covered the most obvious and the most transferable. I hope they prove useful as you decide what to use within your new ranges.


Copper Clay Heart Necklace

Monday, March 12th, 2012

Sculpt this gorgeous copper heart pendant with our range of Creative Copper Clay!

You will need:

Bows mould

Brass brush

Creative Copper 20g

Hand torch and Soldering block or Kiln

Hand drill

*Heat-proof container e.g. a pyrex bowl

*Hot water

Olive oil and olive oil dispenser

Paintbrush and cup of water

Picklean

Sandpaper

Teflon

Tumbler

Tweezers

 

Step 1

Rub some olive oil on your hands. Open the clay and press into the mould, filing it so the clay is level with the mould. Smooth the back of the clay with your fingers. Push the clay out of the mould immediately and place on a piece of Teflon. Smooth the edges and refine any fine lines with a damp paintbrush. Leave the clay to dry overnight or by using the drying programme on the Clay kiln.

Step 2

Once dry refine the piece using sandpaper. Drill two small holes as can be seen in the picture above using your hand drill. Your heart is now ready to fire.

Step 3

For best results always kiln fire – Kiln fire at 920C for 30 minutes- Place the heart on the kiln shelf and cover tightly with kiln pillow. This is important to keep fire-scale to a minimum.

Fire using a hand torch: Wait for the binder to burn off and time for a minimum of 7 minutes from when the piece starts to glow bright red.

Step 4

Once your pieces are fired remove them from the kiln immediately and quench in pre-mixed warm Picklean solution and leave in the solution for at least 10 minutes.

We recommend tumbling your pieces for an hour using stainless steel shot and Picklean solution in warm water. Refresh and clean the shot and Picklean solution after half an hour. This method works best for removing all fire-scale. After tumbling you can give them a final brush with a brass brush to bring up the Copper shine.

 

Please note:

You can create this project using the same method as above but in fine silver by replacing the Creative Copper with 16g PMC3. However, do not tumble in Picklean and your firing time should be altered to 700C/10mins.