Archive for November, 2011

How to: Festive FIMO Snowman Jewellery

Wednesday, November 23rd, 2011

When the supermarket shelves are brimming with Christmas goodies, your summer clothes all packed away in boxes and your thick winter coats are hanging up in the hallway again, then it’s time to start thinking about Christmas! About cosy winter evenings in front of the fire, about trees and gardens covered in a thick layer of snow … and snowball fights. All those who don’t want to wait any longer for the first snow to fall can get into the Christmas mood early by putting on this attractive combination made out of FIMO. The adorable snowmen and sparkling snowflakes are a real eye catcher – each one cuter than the next. Not only does this jewellery guarantee you an instant white Christmas, it also makes a superb present with a personal touch.

You will need:

Step 1

Basically, the snowman is made out of two different-sized balls. For the body, take the larger of the two balls (approx. 25 mm in diameter) and flatten it a little. Then, for the head, do the same with the smaller ball (approx. 15 mm in diameter), placing it so that it slightly overlaps the first one. Make a sausage approx. 5 mm in diameter for the arms and cut off two 1 cm long pieces.

Step 2

The snowman’s hanger is fixed in his hat. To make the hanger, take a piece of wire and shape it into a loop. Then, bend the ends to the sides to give it a good hold in the FIMO later. Next, using black FIMO, roll out an approx. 1 cm thick sausage and cut a 1 cm long piece off it. Make an indent in one side of the top hat.

Step 3

Now it’s time to give the snowman a broom. To do this, roll out a thin string of black FIMO. Cut a 3 cm long piece off it for the broomstick. Then shape the FIMO into an approx. 1.5 cm long, cone-shaped piece and, using the knife, make lots of fine grooves on it. Place it on the end of the broomstick. A final fine string of FIMO placed across the broomhead makes it look as though the bristles are being held together.

TIP: It’s best to harden the broom in the oven on its own first. This makes it easier to position on the snowman’s arm later and ensure that it keeps its shape.

Step 4

Now put the hat on the snowman. Then add the broom and the arms and press everything on firmly. Use small black balls for the eyes and buttons. The orange coloured carrot nose and mouth are made out of fine strings of FIMO. The scarf is made out of a sausage of FIMO. Flatten it a little, cut one end off straight and use the knife to fray it.

Step 5

To make the snowflakes, roll out an approx. 5 mm thick sheet of white glitter FIMO using the acrylic roller. Place one of the two small six-pointed stars on it and – just as if you were making biscuits – cut out a number of stars. Fill the ring base with white glitter FIMO and place one of the stars on it.

Step 6

Make a hole through the middle of the snowflakes using a straight piece of wire – this is for stringing them onto the necklace later. A tool for making a snowflake pattern can be made easily out of a piece of wire. To do so, take an approx. 10 cm long piece of florist wire and bend both ends at right angles as shown – one end about 2 cm in and the other end about 2-3 mm in. Press the ends onto the snowflake carefully to make the desired pattern.

Step 7

With the bead roller, it’s easy to make nice, uniform-shaped beads. To do so, roll the FIMO to form an approx. 1 cm thick sausage. Then cut approx. 1 cm wide pieces off it and shape them into balls in your hands. Place them in the bead roller and slide it back and forth a couple of times. This gives you perfectly shaped beads.

Step 8

Cut off approx. 10 cm of florist wire and use it to make a hole as close as possible to the middle of the beads. Turn the beads around and push the wire through the hole again from the opposite side. This is the best way to keep your beads in shape when making holes. Next, thread all of the beads onto the length of wire and hang this over a glass bowl. Place in the oven like this in order to avoid a denting of the beads.

Step 9

Harden the finished pieces in the oven for around 30 minutes at 110°C. After cooling, the snowflakes are given an extra treatment: To make the pattern stand out more, brush over the grooves with a thin layer of blue watercolour paint. Allow to dry for a moment and then remove any excess paint with a piece of kitchen roll. Leave to dry properly! Finish off by applying a thin coat of FIMO gloss varnish to all pieces. Now all that remains to be done is string the pieces onto the necklace and add the clasp and thread the earrings onto a piece of florist wire and fix onto the earring hooks. If necessary, you can stick the snowflake onto the ring base with glue. This will keep it stuck tight.

TIP: You can make the small, silver-coloured spacer beads yourself: To do so, use the bead roller to make small balls out of silver FIMO effect and then add a layer of silver coloured leaf metal. Make holes, harden and add a coat of gloss varnish – finished!

How to: Painted Leaf

Thursday, November 17th, 2011

We really loved last night’s episode of Kirstie’s Handmade Britain especially her exploration of Silver Clay. This project allows you to make a similar painted leaf that featured on the programme so you can enjoy the rewarding experience of creating beautiful, delicate designs.

You will need:

Agate/metal burnisher or tumbler
polisher

Badger Balm

Clayshapers

Leaf

Paintbrush and cup of water

PMC3 6.3g silver

PMC3 Paste (1 Paste pot
covers approximately 3 leaves of 3cm square)

Rubber block

Sandpaper

Stainless steel brush

Snake roller

Straw

Torch and block to fire or Kiln

Work mat or Teflon

Step 1

Open your Paste pot and paint the reverse side of the leaf thoroughly. Leave to dry and repeat until you have built up 8 layers of paste. Leave the leaf to dry completely. Fire it using a kiln only- if using the Evenheat Pro-Set kiln fire on the preset PMC3 Slow Programme (600C/45mins). Once fired do not polish before attaching the bail.

Step 2

Use the snake roller to roll a coil. Press down on the coil to create a flat block. Wrap the flattened coil around a straw and leave to dry.

Step 3

Attach the bail to the back of the fired leaf using some paste. Allow to dry. Once dry gently remove the straw and refine your piece until you are happy with the finished look. If required you can create a long coil from the lump clay by using a snake roller. This can then be attached to the back of the leaf as shown in the image above to improve the look of the bail attachment. The bail can be torch fired onto the leaf. Simply heat until it glows orange and time for a minimum of 2 minutes or kiln fire using the PMC3 Fast programme (700C/10mins).

Step 4

Place the fired piece on a rubber block to support the leaf and use a stainless steel brush to polish. To achieve a high shine finish, continue using a burnisher or place in a tumbler polisher with mixed stainless steel shot and 1/3 teaspoon of tumbler soap.

Aftercare: Polish using silver polish and a soft cloth.

Tips – Choosing a leaf

Don’t use a leaf with a waxy or fleshy surface like holly or laurel as these have no texture

Do choose a leaf with good veins as these will show nicely on your finished piece. E.g. sage, ginko or geranium leaves.

Do choose a fresh leaf.

Designer of the Month: The Beauty of Lace

Wednesday, November 9th, 2011

Louise West, currently studying for her MA ADAPT, talks about her contemporary lace journey so far and her future prospects.

 

My creative journey started during my BA (Hons) in Textile Design, which I started as a mature student in 2006. During the first year I had the opportunity to do a commission for a London based architect and produce the lace design for the facade of the Nottingham Contemporary, taken from antique lace. The design was then cast into concrete to clothe the building.

This led to other opportunities, doing voluntary work at a local museum, where I now have an exhibition – “The Vital Statistics of Lace”. The exhibition starts my contemporary lace journey, with very traditional pieces of lace, some of which are my own design and others from the 19th century which I have worked and reinterpreted. It also features a contemporary piece from the first stage of the MA programme I am currently studying.

 

I am now in my second year on the MA ADAPT (Art and Design Applied Practice and Theories) at the University of Derby and this is allowing me to explore a wider range of media for the portrayal of lace. It is this that has led to the development of my silver jewellery inspired by lace. Some of the pieces are obviously from lace but others are slightly more abstract in their appearance. My MA working is currently developing using traditional techniques with historical inspiration and memories but using less traditional materials and methods.

In April this year I took a big step in moving into a studio in Bank’s mill studios, Derby, to allow me to develop the silver jewellery side of the work, to be able to offer workshops in both lace and PMC and also to give me space to continue the larger scale of lace for the MA. It has made a big difference to my work allowing it to develop much faster than previously. One of my favourite moments this year was entering the Cookson’s Mothers day jewellery competition with a piece in memory of my late Mother, and having the fortune to win it. This came at a difficult time as it was two years since losing her, and so an honour in her memory.


Plans for the future – finishing the MA next year, continuing teaching lacemaking and building on the workshops offered for PMC, talks to interested groups, and exhibiting and selling jewellery at the National Christmas Lacemakers Fair,(3rd December) and the Harrogate Lace Event (31st March 2012) and in my spare time continue with the exciting world of Precious Metal Clays.

More photos of Louise’s work, exhibitions and more detail about her designs can be found on her website at http://www.louisewestlacedesign.co.uk